log-in
Steve Brodner
The Odd Couple
posted:
 

 "On January 31, Newt Gingrich was  told that he was no longer wanted in the state of Florida.  Soon he  found himself looking for a home in the Super Tuesday states along with his similarly-hated friend Mitt Romney. Can two severely messed-up men share a dysfunctional political party without driving each other crazy?!!!!!"

Thanks to Ron Brownstein and Jan Zimmeck for making this happen. And to Ron for the shout-out on this morning's interesting chatfest with the always interesting Soledad O'Brien. Back atcha.

http://www.cnn.com/video/#/video/bestoftv/2012/02/03/exp-point-romney-misspoke.cnn

Simms Taback 1932-2011
posted:
Sad to note the passing of our friend Simms Taback, over Christmas, celebrated illustrator, children’s book author and activist for artists' rights. He was a hero to a lot of us in the graphic arts. Here is a post from last January, which Simms saw and liked. In the year plus of grace that he had since deciding to stop immiserating treatment for pancreatic cancer, Simms  got to travel, be with family and friends and hear what he meant to them.

At a recent opening of a show of his work in LA, he seemed in great spirits, basking in the reflected love of just some of the people he made a strong connection with in his life. And there were many of us. 

Our thoughts are with them at this time. My reflections are reprinted below.

He is a kind of four letter man that we rarely see in our profession or any other: someone who is truly excellent at what he does, who is caring about the world, generous to his colleagues and is also a just a great guy. Usually someone can be some of these but not all.  People who are brilliant artists have trouble reaching out to others.  Some who are strong advocates for their cause can’t reach the level of excellence that time and attention would yield. Simms cultivates all these sides.  He gives us a lot to admire.

An excellent website SEE HERE designed by Jeff Seaver gives you a strong sense of his career and what his work is like. I am grateful to him and Simms for allowing me use some of the work posted.

He had helped found the Graphic Artists Guild, first as it merged with the Illustrators Guild to become the Graphic Artists Guild of NY.  The Guild was growing and when I joined the board in ’83.  Till recently he was editor of the Pricing and Ethical Guidelines book, which has kept standards as high as possible in a slippery industry.  Other issues he worked on were those of copyright protection, work-for-hire ethics. The idea of artist’s right to original art became industry standard.  In the encouragement of contracts written up by artists, we learned to get more of a grip on our relationships with publications.  His time at the Guild was one of empowerment for artists.  While the Guild is now not what it was, the ideas have taken hold and continue to maintain moral-suation we use with clients everyday. I learned and grew a lot in those years and Simms was a big reason for that.

As an author/artist he has won two Caldicott medals (very prestigious). His work is deceptively simple.  But this kind of simplicity is derived from an eloquence we all strive for: nothing out of place or distracting.  The story, the design, the color, the humor all blend seamlessly.  The delight here is of seeing a piece by an artist in full charge of all the elements and gifting to you a wonderful world. Here are four examples plus a some animated film clips.







Here is Simms himself talking about The Was an Old Lady and how he got the idea for the die-cut solution.

None of this touches on the most important point about Simms; his mensch-hood.  This is a person who believes that artists  . . and all humanity . . .  are sharing space and could,  if they chose, to behave with respect to and for each other.  In a competitive market this is a challenge. Fewer assignments means more bumping around for all of us.  But the awareness necessary to undertand how we can live together in this world, makes a difference in what kind of place it is; that we are creators of the larger space as well as the smaller one.

Simms has done well  . . . and done good for some 50 years. There is never a question he won’t answer, never a problem you can’t talk over with him.  He has knowledge and spiritual support and is generous with both.  And also can kvetch at you when you got it wrong.  In my life I have met many wonderful people.  I find them as teachers.  The observational learning I got from Simms has stayed with me for almost 30 years.  And nothing would please me more than to think that I got to pass some of it along myself.  Here’s to Simms.  And thanks for the overcoat.

Here’s a tribute to Simms at Tablet.com



Here's Steven Heller's NYT Reprinted Obit:

 

Simms Taback, a children’s book illustrator and author who won the Caldecott Medal in 2000 for his adaptation of the nonsensical Yiddish folktale “Joseph Had a Little Overcoat,” died last Sunday at his home in Ventura, Calif. He was 79.

Joseph A. Garcia/Ventura County Star

Simms Taback, at his studio in Ventura, Calif.

Courtesy of the Estate of Simms Taback

The cover of "Joseph Had a Little Overcoat," which won a Caldecott Medal in 2000.

The cause was pancreatic cancer, said his son, Jason.

Mr. Taback was one of a new breed of commercial illustrators who in the 1960s rejected realistic trends in favor of expressionistic and comic visual storytelling.

Known for a wry naïf style, he enjoyed using snappy colors and playful cut-and-paste imagery. His whimsical characterizations of human beings, barnyard animals and jungle beasts entertained audiences through tales both new and retold.

Yiddish was Mr. Taback’s first language, so he took pleasure in adapting old Yiddish stories and song lyrics. His most successful, “Joseph Had a Little Overcoat,” follows Joseph as he removes his garments until all that’s left is a button. The story takes a quirky turn when Joseph decides to make a book about his coat. Throughout “Joseph,” a menagerie of animals with human expressions watch his transformation. Visual and textual gags spice up the story, including a newspaper headline that states “Fiddler on Roof Falls Off Roof.”

But “Joseph” was not entirely a flight of fancy. Mr. Taback spent time at the Jewish Museum to view period clothing and other artifacts and learned everything he could about shtetls in prewar Poland and Russia.

Born in the East Bronx on Feb. 13, 1932, Mr. Taback graduated from the Cooper Union and, after being discharged from the Army, worked as a graphic designer for Columbia Records and The New York Times, and later as a freelance advertising artist for Eastern Air Lines, American Express and other companies. Mr. Taback started a successful greeting card company, Cardtricks, in 1989, with his longtime friend Reynold Ruffins, a founder with Seymour Chwast and Milton Glaser of Push Pin Studios.

The paper novelties, including die-cuts, that Mr. Taback developed for cards inspired him to create the children’s book “There Was an Old Lady Who Swallowed a Fly,” which received a Caldecott Honor in 1998. Cut-out windows on many of the pages enabled readers to view the innards of the old lady’s stomach as she swallowed the fly and consumed larger and sillier creatures throughout the book.

Mr. Taback taught illustration and design at the School of Visual Arts and Syracuse University. As president of the Graphic Artists Guild, he helped steer the organization toward advocacy on copyright issues.

His most recent book, published last year, is “Postcards From Camp,” a warmly sardonic correspondence between a first-time camper and his father. “Simms Taback: Making Pictures for Children,” a solo exhibition, opened at the Museum of Ventura County on Dec. 4 and continues until Feb. 12.

Besides his son, Jason, survivors include his wife, Gail; a daughter, Lisa Deane; a stepdaughter, Emily Kuenstler; two grandchildren; and three step-grandchildren.

 
 

 

Being American
posted:
 

Opening Thursday Dec. 1 and going through Dec 21 is a remarkable show I am delighted to be a part of.  Being American (at the Visual Arts Gallery, 601 W.26 St. 15th fl. NYC) has been conceived and mounted by the staff led by curator Francis Di Tommaso:

“The twenty artists in this show have twenty stories to tell about the experience of being American today. Though many would not normally exhibit in the same venue-the work of some is almost never seen outside of the printed page-they all have immediately accessible and also exquisitely nuanced commentaries to make on American culture.”

I am very honored to be a part of this wide review of visual commentary on American life, and very grateful to Francis and the gallery for putting so high a value on art done as journalism.  This field is also represented by work by Christoph Neimann, Alfredo Jaar and David Levi Strauss.

Reception: Thursday, December 1, 6-8pm

Here are a few of my pieces in the show:

This Lincoln was done in Crayola on camera for “Picturing America” on PBS.
 
 

 

Paul Krugman, locked out of Obama’s party with the 1%. Three years on, who had it right!!??? For Newsweek (remember Newsweek?).

Samuel Alito’s hearings at the US Senate made a jurist out of a tool of the Right and monkey of the process and the Senate.  No biggie. For The New Yorker.

 

Here are pieces by my partners for the exhibition:

Artist: Type A
Trigger (LSAR-5), 2011
four-color offset print

35 x 23 inches

Lane Twitchell
Heartland, 2007
Acrylic polymers on cut olifin on panel
60 x 60 inches

Courtesy of the artist and Edward Tyler Nahem, Fine Art

Charles Traub
Still Life in America, 2011
Online interactive photo montage
Dimensions variable

This interactive site was made with the creative cooperation and insight of Aaron Traub, Adam Ryder, and Ben Sterrett

Alix Smith
States of Union 11, 2009
C-Print
20 x 26 inches

Courtesy of Alix Smith & Morgan Lehman Gallery

Martha Rosler
Lounging Woman, 2004
Photomontage
24 x 20 inches

Courtesy of the artist and Mitchell-Innes & Nash, New York

 Aurora Robson
Active Ingredient, 2011
Ink and junk mail paper
12 x 14 inches, 16 x 18 inches framed

Courtesy of the artist

Robert Priseman
Hanging Chamber, 2008
Oil on linen

60 x 60 inches

Christoph Niemann
SOS, 2011
Ink and digital

Publication: New Yorker

hai Kremer
Warship, 2008
Digital chromogenic print
30 x 40 inches
Courtesy Julie Saul Gallery, New York

Alfredo Jaar with David Levi Strauss In Lament of the Images, 2009
(Proposed New York Times Op-Ed piece)  Digital print, AP
28 1/2 x 18 1/2 inches
Courtesy of the Artist, N.Y.

Dustin Grella
Prayers for Peace, 2009
Pastel on slate, stop-motion animation
1080p x 1920
Courtesy of the artist

Bob Giraldi
The Routine, 2005
Lightjet print on Fujiflex Supergloss mounted on Dibond

Reinier Gerritsen
Wall Street Stop – 6.20 PM 10 06 09, 2009
Inkjet archival print
22 x 43 inches
Courtesy of Robert Morat Gallery Berlin

Andrea Gennari
Tramonto Senza Vento (Sunset Without Wind), 2008
oil on canvas
17 x 29 inches

Jessica Craig-Martin
Party Animals (Denise Rich Pool Party, Southampton), 2006
C-print
48 x 72 inches
Edition 1/3, + 2 AP

Courtesy of Greenberg Van Doren Gallery, New York

Edward Burtynsky
Oil Spill #13, Mississippi Delta, June 24, 2010, 2010
Chromogenic Color Print
39 x 49 inches
Edition 2/9

Courtesy of Bryce Wolkowitz Gallery

Sandow Birk
American Mihrab v.3, 2010
ceramic on wood
60 x 45 x 6 inches

Courtesy of the artist and P.P.O.W. Gallery, NY

Susan Anderson
Ashley, Age 7, Nashville, Tennessee, 2008
Light jet print on Fujiflex Supergloss mounted on Dibond
33 x 33 inches
Edition 3 of 6

Courtesy of the Artist and Patrick Painter Inc

Recent Articles
Archive
SteveBrodner.com
Freedom Fries
e-mail
Email Newsletter icon, E-mail Newsletter icon, Email List icon, E-mail List icon Subscribe to Brodner's Bicycle
For Email Marketing you can trust