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Return to China
Posted by Michael Sloan at 11:10 am on June 26th

Hong Kong harbor.
I’m going back to China in a little over a week. I’ve been there once before with my wife, whose work takes her to southern China usually once a year. That first trip was an incredible experience for me, and I’ve been looking forward to returning ever since.  I love to travel and I’m very lucky that my wife’s work makes this possible.
 

I.M. Pei's Bank of China building in Hong Kong.
I have many strong memories of my first trip to China. I remember the continuous drama of Hong Kong harbor, with the shipping traffic and the backdrop of ultra-modern skyscrapers marching up the side of a mountain that rises from the sea. I did several paintings of the towering tropical clouds that brought brief, torrential downpours and rainbows in the afternoons. Hong Kong and Guangzhou are cities where food is taken very seriously, and since I’m an adventurous food-lover, I was in my element. I also remember the contrast between the old and new China; traditional architecture and street markets dwarfed by large construction projects, and everyone talking on cell phones long before they became ubiquitous here in the States.
 

Construction in Guangzhou; the scaffolding is made of bamboo. All the construction and industrial activity has had a devastating impact on the environment. Air pollution is a real problem.
In the mainland city of Guangzhou there were construction projects on a vast scale - half-built skyscrapers wrapped with scaffolding made from bamboo, and elevated superhighways carved through the center of the city. These highways were so new that there weren’t enough cars to use them - they were empty except for an occasional bicyclist. It will be much different now, since the economic boom in China has made cars affordable for many people in the rich southern cities. Ten years ago, the level of human and industrial activity was astonishing, and made NYC feel calm by comparison. I expect this activity will be even greater today, and some of the city scenes that I painted on my first trip might be almost unrecognizable.
 

The Courtesan's House, an historic site in Guangzhou.
This is the first time in China for my three children, a real family adventure (they arrived yesterday, and I join them next week after I perform with the Half-Tones at the ICON opening reception).  I’ll bring my sketchbook and watercolors, and hope that I find time to document this trip as I did before. I’ll look forward to posting some new paintings when I get back.
 

Cathedral in Macao. Ten years ago Macao was still a Portuguese colony. Now it is the gambling center of China and a rival to Las Vegas.

 
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The Zen of Professor Nimbus #39
Posted by Michael Sloan at 10:00 am on June 25th

Click here to view all previous comics in sequence.
 
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The Further Travels of Professor Nimbus
Posted by Michael Sloan at 5:07 pm on June 16th

Professor Nimbus at the recent Olympic ski jump trials in the Alps.
As I continue this series of prints, I've been playing a game with myself: How much of Professor Nimbus's face needs to appear to show that it is clearly him? Can his face be hidden? Is it enough to show his trademark hair style?
 

I've always loved these outdoor binoculars which are a permanent fixture at places like the observation deck of the Empire State Building. They have a face of their own.

 
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The Zen of Professor Nimbus #38
Posted by Michael Sloan at 9:45 pm on June 11th


 
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The End of the Clinton Campaign
Posted by Michael Sloan at 10:31 am on June 10th

Guillermo Nagore is sitting in as art director at the NY Times Op-Ed page this week. Here's a Letters piece which we worked on yesterday, for publication today.
 

the sketches
I did two sketches for this assignment, beginning with sketch #2. I liked the concept but felt this sketch was too cluttered and confined by the box. I wanted to do a variation for insurance, something with a more minimal treatment that had no frame around it.

Guillermo liked the more minimal sketch, but asked if I could add something to give the image a little more weight on the page.  His suggestion was right on the money. I added a shadow, and experimented with different background treatments. With the clock ticking I ended up with three versions of final art. I think he chose the best version. Thanks, Guillermo.
 

two other versions of final art.

 
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The Zen of Professor Nimbus #37
Posted by Michael Sloan at 12:13 pm on June 9th


 
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The Zen of Professor Nimbus #36
Posted by Michael Sloan at 2:29 pm on May 15th


 
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The Zen of Professor Nimbus #35
Posted by Michael Sloan at 10:09 am on May 9th


 
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Ewan MacLeish Gets His First Assignment
Posted by Michael Sloan at 9:58 pm on May 6th

For several years I’ve been working on a series of paintings and drawings using the pseudonym "Ewan MacLeish". Most of the paintings hang on the walls of my children’s rooms here at home.

Until recently, I’ve done next to nothing to promote this work in the illustration marketplace. I was concerned that having two different portfolios of work might confuse clients and drive them away. My first big step to promote this work was to put a portfolio of it up on illoz.

Thanks to SooJin Buzelli, the creative director at Asset International, Ewan MacLeish is now a published illustrator. SooJIn saw my Ewan Macleish portfolio on illoz. The assignment, for an article in PLANSPONSOR magazine on retirement income, has dispelled the worries that I’ve had about getting commissions with this work.

What I like most about this painting is that it looks like it came right out of the Ewan MacLeish watercolor portfolio. The tearsheets arrived today in the mail, and I feel the excitement that comes from seeing my work published for the first time. It’s a far cry from the stress that I went through with my first illustration assignment, 18 years ago.

Thanks, SooJin! Now I hope I get more Ewan MacLeish commissions.
 

The art as it appears in PLANSPONSOR magazine.

 
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The Zen of Professor Nimbus #34
Posted by Michael Sloan at 12:03 pm on May 2nd


 
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