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        <title>Hal Mayforth at Drawger.com!</title>
        <description><![CDATA[Hal Mayforth at Drawger!!]]></description>
        <link>http://www.drawger.com/may4th/</link>
        <lastBuildDate>Tue, 09 Mar 2010 16:40:08 EST</lastBuildDate>
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            <link>http://www.drawger.com/may4th</link>
            <description><![CDATA[Feed provided by http://www.drawger.com. Click to visit.]]></description>
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            <title>Worst Case Scenario</title>
            <link>http://www.drawger.com/may4th/index.php?section=articles&amp;article_id=9967</link>
            <description><![CDATA[<img src="http://www.drawger.com/may4th/images/0644114002.jpg" hspace="5"><br><br>
	Here is an image that I sent out earlier this month as an email promo. My concern was that younger AD&#39;s wouldn&#39;t be savvy to the Pinto reference. The 70&#39;s after all, is ancient history. Instead I heard from a couple of AD&#39;s who actually owned Pintos and got an assignment from an AD who used to drive a&nbsp; Ford Maverick. I also heard from a buddy who works in big truck garage who told me the cartoon was a big hit among the drivers. Now if I could only get them to assign some illustration.
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            <pubDate>Tue, 09 Mar 2010 18:36:26 EST</pubDate>
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            <title>Facebook Experiment</title>
            <link>http://www.drawger.com/may4th/index.php?section=articles&amp;article_id=9859</link>
            <description><![CDATA[<img src="http://www.drawger.com/may4th/images/8381411330.jpg" hspace="5"><br><br>
	For the past several months I have been posting a drawing everyday on facebook as a way of getting some sketchbook material &quot;out there&quot;. With the seismic change in the illustration markets, it has been my opinion that the more irons you have in the fire the better. Social networking as marketing&nbsp; is something that I think deserves our attention given the sheer enormity of the phenomenon. Last weekend I attended a workshop at the Helen Day Art Center on social networking and had my first taste of Twitter. I still have alot of homework to do, but it seems like it might be a way to draw people into a site, providing you have interesting content and merchandise readily available online.On another front, my prints were recently accepted into The Artful Home site, and I am hoping for some traction there. Where&#39;s it all going? Damned if I know. But I do believe there are opportunities out there. Here are some samples of what I&#39;ve been putting up on Facebook.
<br><br><img src="http://www.drawger.com/may4th/images/2974092880.jpg" hspace="5"><br><br><img src="http://www.drawger.com/may4th/images/2411511045.jpg" hspace="5"><br><br><img src="http://www.drawger.com/may4th/images/2509631096.jpg" hspace="5"><br><br><img src="http://www.drawger.com/may4th/images/6240290726.jpg" hspace="5"><br><br><img src="http://www.drawger.com/may4th/images/8130569799.jpg" hspace="5"><br><br><img src="http://www.drawger.com/may4th/images/9469428347.jpg" hspace="5"><br><br><img src="http://www.drawger.com/may4th/images/9036809625.jpg" hspace="5"><br><br>]]></description>
            <pubDate>Tue, 23 Feb 2010 19:00:49 EST</pubDate>
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            <title>Watercolorpalooza</title>
            <link>http://www.drawger.com/may4th/index.php?section=articles&amp;article_id=9648</link>
            <description><![CDATA[<img src="http://www.drawger.com/may4th/images/5491855078.jpg" hspace="5"><br><br>
	Lately I&#39;ve changed my approach to acrylic painting. I&#39;m trying to be more spontaneous and painting without preconcieved notions a la Adolph Gottlieb or Philip Guston. And it&#39;s driving me crazy second, third and fourth guessing myself. My elecrtic sander has been getting&nbsp; quite a workout. In reaction to those trials and tribulations, I decided to break out the watercolors.&nbsp; I am enjoying the change of pace and and the quickness. I can finish one fairly quickly and move on to the next idea. Speaking of ideas, for some reason turtles have been making an appearance in my sketchbooks. I&#39;m not sure why, but I suspect it&#39;s because they&#39;re easy to draw and their primordial quality appeals to me.
	
<br><br><img src="http://www.drawger.com/may4th/images/6106033002.jpg" hspace="5"><br><br><img src="http://www.drawger.com/may4th/images/2156596272.jpg" hspace="5"><br><br><img src="http://www.drawger.com/may4th/images/3059601642.jpg" hspace="5"><br><br><img src="http://www.drawger.com/may4th/images/1666993115.jpg" hspace="5"><br><br><img src="http://www.drawger.com/may4th/images/6766765416.jpg" hspace="5"><br><br><img src="http://www.drawger.com/may4th/images/6685790413.jpg" hspace="5"><br><br><img src="http://www.drawger.com/may4th/images/4918527651.jpg" hspace="5"><br><br><img src="http://www.drawger.com/may4th/images/9008068532.jpg" hspace="5"><br><br>]]></description>
            <pubDate>Wed, 27 Jan 2010 18:01:08 EST</pubDate>
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            <title>Sue Their #@% Off</title>
            <link>http://www.drawger.com/may4th/index.php?section=articles&amp;article_id=9260</link>
            <description><![CDATA[<img src="http://www.drawger.com/may4th/images/6362743574.jpg" hspace="5"><br><br>
	I love it when personal work and assignments intersect. SooJin Buzelli had seen a painting I did for a book that I&#39;ve been working on called SHTBNALD.&nbsp; She gave me an assignment to illustrate and article on suits. Or at least that&#39;s the gist I got, because to be honest, the article was pretty heavy slogging. We had a conversation and agreed that the comet as metaphor for suits was pretty cool. Like incoming space debris, litigation is often out of the blue and devastating.
	
<br><br><br><br><img src="http://www.drawger.com/may4th/images/0303574184.jpg" hspace="5"><br><br><img src="http://www.drawger.com/may4th/images/3626290069.jpg" hspace="5"><br><br><img src="http://www.drawger.com/may4th/images/5000025477.jpg" hspace="5"><br><br>
	As Cathie has pointed out, there is a ton of great illustration in this issue. Check it out here.

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            <pubDate>Tue, 15 Dec 2009 18:07:19 EST</pubDate>
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            <title>Words!</title>
            <link>http://www.drawger.com/may4th/index.php?section=articles&amp;article_id=9303</link>
            <description><![CDATA[<img src="http://www.drawger.com/may4th/images/3981025422.jpg" hspace="5"><br><br>
	Lately I&#39;ve been putting up a drawing a day on my Facebook page as a way of getting some of my sketchbook stuff out there. A couple of weeks ago I posted the above drawing. Later in the day I was speaking with a good friend from Albuquerque and this drawing happened to be on my computer screen. While we were engaged in a free ranging conversation, I started to look at the drawing and started to see the possibilities for primitive figures emerge. For the next several weeks I explored melding words, primitive forms and watercolors in the form of a series of paintings. The words came via free association and I only used a dictionary to check spelling ( and even then there are mispellings) I&#39;m&nbsp; sure a therapist could have a field day with this stuff.


	
	

<br><br><img src="http://www.drawger.com/may4th/images/2186218890.jpg" hspace="5"><br><br><img src="http://www.drawger.com/may4th/images/9746639330.jpg" hspace="5"><br><br><img src="http://www.drawger.com/may4th/images/7615899664.jpg" hspace="5"><br><br><img src="http://www.drawger.com/may4th/images/3383761338.jpg" hspace="5"><br><br>
	In the middle of all this I received an assignment from Emily Aldrich in Minneapolis to illustrate an article for the Kenyon College Alumni magazine about a woman who translates poetry. This piece dovetailed perfectly with the word paintings I had been doing and gave me the opportunity to try something different.
	
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            <pubDate>Thu, 03 Dec 2009 16:35:52 EST</pubDate>
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        <item>
            <title>Volume 72 </title>
            <link>http://www.drawger.com/may4th/index.php?section=articles&amp;article_id=8975</link>
            <description><![CDATA[<img src="http://www.drawger.com/may4th/images/8851249987.jpg" hspace="5"><br><br>
	
<br><br>
	When I started out in illustration, I always brought along a sketchbook when showing my portfolio and the sketchbook more often than not got a better reception than my portfolio. Even now when I do art fairs I still bring one or two along for folks interested in process. They always seem to get a good responses. The problem with sketchbooks has always been the inability to share them. They take up a considerable amount of shelf space gathering dust. But now we have new technologies to mess around with. So in an effort to &quot;get it out there&quot;, here&#39;s Volume 72 that I did between April 9th and August 16, 2009. I hope you dig it.

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            <pubDate>Wed, 21 Oct 2009 15:17:09 EST</pubDate>
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