Creativity can be daunting at times. Sometimes it's like reading a compass without a needle. What direction to take? I am working towards filling sketchbooks with drawings, but I struggle with the routine. When I am busy working, the sketchbooks sit on the shelf and gather dust.
Most of the work that I do is digitally based, so I do find the time to experiment with vector-based images. A sense of play that I have used in the CMY-X series and Retrobots. This series springs from my digital sketchbooks.
Over the past couple of years I have been working on a series of screenprints. These are collages based on my collection of dusty old science textbooks, hardward catalogues and do-it-yourself magazines. Animating the inanimate. Bringing out the mad scientist in me.
When I started this series, I felt a strong need to experiment. I've worked on a number of small edition prints, working towards consistency. With this series, I wanted to produce 100 unique prints, using the same elements throughout, but mixing and remixing the different pieces. The heads and bodies are mixed and matched, in and exquisite corpse kind of way. It was exciting to play with different combinations of color, shapes and expressions.
45 background elements
Thanks to Chrissy Poitras and Kyle Topping at Spark Box Studio!
I am putting the first ten in the series up at Illogator. Or you can contact me directly and I'd be happy to send one along to you.