Good News From AAN
posted:
Around this time each year, the AAN hands out it's awards for a range of Newspaper categories spanning the entire jouranlistic process. This year I was fortunate to receive a handful of nods for which I am grateful.
In the Cover Illustration categorie I received 1st place for my grisly Miami New Times cover, The Suitcase Murders. I also received 3rd place in the same categorie for another illustration, Guarimba", again for The Miami New Times.
In the Best Cover Design category, Darrick Rainey, who is now at the LA Weekly, won first place for three of his covers for The SF Weekly. I was honored to have my artwork on one of those awarded.
Beyond the elbow wrenching pat on the back, I wanted to post this news as a plug for the often maligned alt-weekly assignment. I was an AD at the Miami New Times for 4 years, and remember the difficulty in getting top artists to work for our budgets.
Many of the bonds I've made in the illustration community were made way back as an alt-weely AD, when artists who deserved much more were taking assignments because of the richness of the topics and the relative creative freedom. And that's the main reason I love working with these folks. Alt-weeklies often have a lot to prove, up against "established" slick dailies with their massive circulations. Most often what they prove is that the little guy is closer to the ground, and the ground is where the action is.
I remember fondly the intoxication of being part of exposing a corrupt politicain (ok, maybe that got a little boring with all the easy pickin's down here). I felt like my efforts were significant. We made a difference, cleaned things-up, bullied them right back. My sure-fire way of getting a reluctant official to sit for a photo was to threaten them with a Brodner carricature if they would not cooperate (I always hoped they would still refuse so I could assign art). Illustration as blackmail, I love it.
Weeklies are still one of the most immediate ways to get your stuff out there in ink. I'm addicted to newsprint. I can't imagine that folks wont always crave a tactile experience of print on pulp. It's where my real design career started, and it directly led to me becoming an illustrator.
In the Cover Illustration categorie I received 1st place for my grisly Miami New Times cover, The Suitcase Murders. I also received 3rd place in the same categorie for another illustration, Guarimba", again for The Miami New Times.
In the Best Cover Design category, Darrick Rainey, who is now at the LA Weekly, won first place for three of his covers for The SF Weekly. I was honored to have my artwork on one of those awarded.
Beyond the elbow wrenching pat on the back, I wanted to post this news as a plug for the often maligned alt-weekly assignment. I was an AD at the Miami New Times for 4 years, and remember the difficulty in getting top artists to work for our budgets.
Many of the bonds I've made in the illustration community were made way back as an alt-weely AD, when artists who deserved much more were taking assignments because of the richness of the topics and the relative creative freedom. And that's the main reason I love working with these folks. Alt-weeklies often have a lot to prove, up against "established" slick dailies with their massive circulations. Most often what they prove is that the little guy is closer to the ground, and the ground is where the action is.
I remember fondly the intoxication of being part of exposing a corrupt politicain (ok, maybe that got a little boring with all the easy pickin's down here). I felt like my efforts were significant. We made a difference, cleaned things-up, bullied them right back. My sure-fire way of getting a reluctant official to sit for a photo was to threaten them with a Brodner carricature if they would not cooperate (I always hoped they would still refuse so I could assign art). Illustration as blackmail, I love it.
Weeklies are still one of the most immediate ways to get your stuff out there in ink. I'm addicted to newsprint. I can't imagine that folks wont always crave a tactile experience of print on pulp. It's where my real design career started, and it directly led to me becoming an illustrator.
The Suitcase Murders for Miami New Times. A local serial killer preys on prostitutes, stuffing their lifeless bodies into suitcases. (definitely a "call stauffer" topic)
Guarimba, for Miami New Times, about a local agitator who is inciting violent protests in Venezuela against Hugo Chavez.

















